In the previous version of Premiere Pro (v 15.x), HLG media was treated as Rec.709 & the sequence created from that media also used Rec.709 color space. So why do HLG files look saturated/over-exposed in Pr v 22? This allows you to return to a standard iPhone workflow. Turn off HDR shooting on your iPhone by following the directions here.Neil Haugen's in-depth article for the full pro workflow: Premiere Pro 2022 Color Management for Log/RAW Media In case you do want to edit & deliver in HLG/HDR, please follow the steps mentioned below.Sequence > Sequence settings, set Working Color Space to Rec. Select Modify > Interpret Footage > Color Management. Right-click on your media in the Project panel. I n case you don't want or need the HLG/HDR workflow and want to return to the standard workflow, please follow these steps to avoid oversaturated and overexposed previews.This FAQ will show you how to fix clips that appear overexposed or oversaturated due to these new features. With Premiere Pro v 22, new features around color management for H.264 and HEVC have been introduced.
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